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Fab Textiles Bootcamp

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Bootcamp with Icelandic teachers:
Introduction to soft fabrication and the use of digital fabrication applied on textiles and fashion
 
New mediums of production and accessibility to new technologies are changing the way we learn, design, produce and consume. Fashion education and the industry are still in the process of adaptation to the new technologies and the open source culture. Innovative processes and multidisciplinary synergies are defining the new era, which calls upon the awareness of the way things are made and the opportunities that the new tools offer to innovate and reimagine the future.
This bootcamp with FATEX – Association of apparel and textile secondary school teachers focused on transmitting Digital Fabrication and New Technologies applied in Fashion. Digital fabrication allows us to experiment with the way we design, produce and consume fashion introducing the participants to 3D modelling, parametric design, 3D printing, new techniques and materials.
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 kombucha culture/ grow your own textile
Day 1 (6 hours)
Presentation of the Roadmap of the fab textiles projects.
Hands on use of laser cutting technology for fabrics, from 2D patterns to 3D structures. The participants were introduced to 2D design programs and file preparation for laser cutting fabrics. A great variety of different fabrics was tested and a catalogue of speeds and power for each fabric was generated for cutting and laser engraving. The participants brought as well local fabrics from Iceland such as fish leather, felt, cow leather and horse hair in order to learn how these materials can be used with digital fabrication technologies and apply the techniques back in their schools.

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Day 2 (6 hours)
Molding Felt and CNC milling
Hands on work
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Day 3 (6 hours)
Introduction to 3D printing applied in fashion
The exercise was a introduction to 3D modelling through parametric design using Rhinoceros and Grasshopper and file preparation steps and tips for 3D printing. The technique implies the use of fabric on the 3D printer platform where the flexible filament adheres. The grasshopper definition generates curly volumes that vary in width and height. If the fabric used on the platform is stretched the curly pattern can impose the deformation of the fabric into a 3D structure.
This tutorial gives an insight into the correct choice for fabric and appropriate 3D geometries that give properties to the soft structure.

IMG_26273D printing on fabrics Technique

Day 4 (6 hours)
Integrating soft circuits in the garment
Basic Tilt sensor with LED circuit
Participants used basic electronic components such as conductive thread, LEDS, battery and tilt sensor in order to make a small circuit that was integrated into a laser cut bracelet pattern.
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Ephemeral Arts Connection workshop

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When Stardust* founders Francesco Ducato and Carla Athayde came up with the idea of publishing a book with 2000 unique covers, I imagined that somebody had told them to reach out to me and that I would say YES to this challenge.  Their idea was to use the concept of “connecting” to generate patterns that would be embroidered with the digital embroidery machine that we have at Fab Lab Barcelona.

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The book is going to be published by ACTAR publishers and with the expertise of Ricardo Devesa we are inserting a custom, unique digital fabricated method into the normal industrial production of binding and printing books, maintaining the costs and making a proof of how digital fabrication is opening up possibilities in the current industry.

The workshop was full of various inputs for the participants, with all partners presenting their work, Fabtextiles, Stardust*, Actar and also Maximiliano Romero from Phyco.Lab in Milan talking about Data flows in Digital Fabrication and Bea Goller, talking about her research on sonification of architecture.

The second day there was a very interesting visit at L’Automatica where Ariadna Serrahima & Diego Bustamante talked to us about their collective, that recovered an old letterpress printshop and converted it to a local social hub for experimentation, learning and small scale production.

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The theme of “connecting” was elaborated by investigating several methods and themes:

magnetic fields
– constelations
– delanay
-voronoi
-circular packing
-point network
where the participants worked on small grasshopper definitions developed by Santi Fuentemilla
The objective was to fine tune one of the definitions, to optimise in machine production time and aesthetic outcome. The final definition was fine tuned according to the embroidery machine parameters and exports automatically the iterations for the book cover.
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We finished our four day workshop with a visit to Valldaura Self Sufficient Labs, where Jonathan Minchin explained us the vision and the projects currently running at the Green Fab Lab.
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Computational Couture @Beyond

Last May 19th to 22nd, in the context of the International Construction faire Construmat  and within the Pavilion of InnovationIaaC|Fab Lab Barcelona runned the Computational Couture workshop.

The Computational Couture workshop focused on expanding the horizons of dress making towards an algorithmic approach, and taking design beyond the physical functions of the body (movement, protection, temperature regulation) towards the evolution of cultural expression.During the workshop participants coming from different backgrounds had the possibility to work in a multidisciplinary context to co create this custom fitted clothing that brings together computation, fashion design and digital fabrication.

Computational couture looks at the creation of exclusive custom-fitted clothing (typical of haute couture) through the lens of a systemic approach, extending the sartorial techniques with 3D modeling and computation-based approaches developed in Rhinoceros and the visual programming environment Grasshopper.Aim of the workshop is to exert, infuse and expand the sartorial sensibilities to body proportions and dress making into an algorithmic approach that loops through design and fabrication by means of laser cutting and 3d printing for the design and production of a garment.

Tutors> Alessio Erioli, Anastasia Pistofidou, Lidija Stanojcic

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Laser cut aprons

In the fab textiles we made a laser cut apron for the fab lab members. The aprons are made from raw denim and they contain special pockets for the fab lab tools.

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RIG mannequin

RIG is a digitally processed and fabricated mannequin designed for ¨Fab-Textiles Showcase¨ during the Fab10 international conference in Barcelona.

The design for RIG is an exploration into the creative potential of mannequins as tools for exhibiting and work with. RIG is a manifestation on how tools should be rethought, redesigned, and reimagined. As one walks around the waffle structure, the perspective of three-dimensionality makes the volume of the RIG appear and disappear.  From the side, the physical representation of the human body is defined, yet as the visitor moves towards the front of the mannequin, the body slowly disappears, allowing the clothing to properly showcase itself.

For the digital design process, the software 123d Make was used to generate the waffle structure, where you can find all the files. Each section of the mannequin required a different waffle density depending on the structural requirements and resolution of detail required. These varying strategies were applied to the right arm, the left arm, the torso and the base and then compiled into Rhino to adjust the overlapping conditions. In total, 15 mannequins were produced with each RIG consisting of 184 unique pieces lasercut out of 3mm MDF.

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Credits: Fab Lab Barcelona

Design: Lana Awad

Fabrication: Lana Awad, Drew Carson, Anastasia Pistofidou

Special thanks to: Carmen/Ece/Andrea/Sebastian/Thiago/Andre/Efilena/

Photography credits: Thiago Kunz

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Fashion design exploration with Natural hemp fibers

The Barcelona Fab textiles based in
 the Stigmergic Fibers (A new approach to material behaviour) designed by Jean Akanish, 
Jin Shihui
, Alexander Dolan and 
Ali Yerdel in the Master for Advanced Architecture (IAAC 2012-2013_
Digital Tectonics – Fabrication Ecologies) is working in a new technology for fashion design related with natural hemp fibers.

FabTextilesThis material is a non-woven material that allows applications without sewing on structures allowing continuity and multiple densities.

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Using natural hemp fibers and white glue, the application on wearables opens new concepts in fashion design based on ecological concepts.
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Watch the video about the process in the next link:

Video of the exploration process.